Jin Yong's significance cannot be overstated. He single-handedly elevated the wuxia genre from pulp fiction to a respectable literary form.
The Chinese Tolkien: The most common comparison for Westerners is to J.R.R. Tolkien. Both authors created vast, intricate “secondary worlds” with their own rules, history, and geography. While Tolkien's Middle-earth is a completely new fantasy world, Jin Yong's 江湖 (jiānghú), or “world of martial artists,” is a fictional society woven into the fabric of real Chinese history. His characters interact with real historical figures and events, giving his stories a unique blend of fantasy and historical fiction.
The World of 江湖 (jiānghú): This concept is central to understanding Jin Yong. The jiānghú (literally “rivers and lakes”) is the world of martial artists, clans, sects, and wandering heroes who live by their own code of honor, outside the direct control of the government. It is a world where personal loyalty, righteousness (义, yì), and martial skill are the most important currencies. This parallel society, with its own power structures and moral codes, is the stage for all his epic stories.
The Ideal of 侠 (xiá) - The Chivalrous Hero: Jin Yong's protagonists are not just fighters; they are 侠 (xiá), or knights-errant. A xiá is a hero who uses their power to protect the weak, uphold justice, and remain loyal to their friends and country. This ideal, rooted in ancient Chinese philosophy, is a core value promoted in his novels. It's a collectivist form of heroism, often focused on duty to one's community or nation, which can contrast with the more individualistic “save the day” hero common in Western stories.