In China, 绘画 (huìhuà) is not just a craft; it is one of the highest forms of artistic and scholarly expression, deeply intertwined with philosophy and poetry. Traditional Chinese painting, known as 国画 (guóhuà), is one of the “Four Arts” of the Chinese scholar.
A key difference from traditional Western art is the emphasis on spirit and essence over literal representation.
Western Comparison: A Western landscape painting (like one by Constable) often aims to capture a realistic, scientifically accurate view of a scene with correct perspective and lighting. It's a window onto a real place at a specific moment.
Chinese Context: A traditional Chinese landscape painting (山水画, shānshuǐhuà) aims to capture the `气韵 (qìyùn)`, or the “spirit resonance,” of nature. The artist paints not just what they see, but what they feel. Perspective is often fluid, and negative space (留白, liúbái) is used intentionally to evoke imagination and a sense of vastness. Paintings often include calligraphy (书法, shūfǎ) and poetry, uniting the three arts into a single, expressive piece. This reflects a Daoist and Buddhist appreciation for harmony, nature, and the inner world.