The concept of 写实 (xiěshí) holds a unique place in Chinese culture, especially when contrasted with both traditional Chinese art and Western notions of realism. Traditionally, Chinese ink wash painting (水墨画, shuǐmòhuà) often prioritized a different concept: 写意 (xiěyì), which means “to write the idea/spirit.” The goal was not to create a photorealistic copy of a mountain, but to capture its essence, its spirit, and the artist's feeling towards it. Therefore, the rise of 写实 as a prominent style in the 20th century marked a significant shift in Chinese artistic philosophy, heavily influenced by Western art. This shift was powerfully cemented after 1949 with the promotion of Socialist Realism (社会主义写实主义). Unlike Western realism, which was often a tool for social critique from an individual artist's perspective, Socialist Realism was a state-sponsored artistic doctrine. Its purpose was to create art that was easily understood by the masses and which glorified the revolution, the proletariat, and the nation's progress. While technically “realistic” in style, it was often highly idealized in its subject matter. Today, contemporary Chinese artists continue to explore and challenge the meaning of 写实, from the hyper-realism that critiques modern consumerism to the cynical realism that depicts the absurdities of urban life. For a learner, understanding 写实 isn't just about knowing a style; it's about recognizing a major ideological and artistic current in modern Chinese history.
写实 is most commonly used in discussions about art, but its meaning extends to other areas.